an infinite map

In The Book of Sand Borges describes an infernal volume whose pages change while the book is closed, "because neither sand nor this book has a beginning or end." In The Library of Babel he describes a “perhaps infinite” library of exponential proportions. On the Exactitude of Science describes the drafting and demise of a 1:1 map whose details minutely recorded the territory mapped, "the Cartographers Guilds struck a Map of the Empire whose size was that of the Empire." And in Tlön, Uqbar, Orbis Tertius he describes the creation of the world of Tlön - "the world will be Tlön." All more than 50 years ago.

Now, I can see no reason why it should not be possible to create a screen-based map of a world whose dimensions are not finite. Instead of using the existing terrestrial data and satellite/aerial photographic tiling techniques as in Google Earth/Maps, I propose a computer-generated system in which a core map is extended on-the-fly according to user "travel", and hence, given appropriate processor power and memory, could extend indefinitely.

Such an infinite map realises some intellectual challenges. As there are no edges to the map it must represent a map which is brimming with conundrums - a world which is essentially flat, as opposed to our near-spherical planet. Yes, maybe it could be a large spiral, or any another ribbon-based form, but both the mapping and the experience would be of flatness.

Not only can there be no meaningful cardinal points (there can be no poles on the flat surface), but there can be no longitude nor latitude, and conventional north-south orientation (way-upness) is meaningless. A new system is required for navigation and location.

The world referenced by the map could not support a circadian rhythm, nor seasons, nor lateral geographical zones as we know them. It would not have tides, nor gravity as we know it, nor the plate tectonics which shape our continents, nor the same volcanic and weather systems which shape our landscapes. Our terrestrial physical laws will not always apply. And unlike all current maps which are based on data culled in situ alongside photographic and satellite images, the infinite map would never have been visited or photographed. It is an accurate map of terra incognita, and a singular instance in which the territory is the map.

All would have to be synthesised - with all the magical possibilities that could bring - anyone could be an explorer.

Such a world, were it to exist, could have an infinite mass spread thinly over infinite space; and I have been told that time and distance would not be as we know them...

(this post is extended in its own blog)

turn around...

I don’t know when I first started looking the other way in the presence of places being photographed by everyone else. It has become the norm. Not consciously, not out of habit as such, it just happens. Contrarywise…

I’d taken a trip second trip to Nara while on business in Japan in 2007 – my first had been inundated, and while this had its own watery appeal, I wanted to revisit Tōdai-ji for the light I’d seen years earlier.

The Tōdai-ji site is famed for the Daibutsu-den Hall – the largest wooden building in the world, containing the largest bronze statue of the Vairocana Buddha. A magnet for cameras, even though here size matters, and it actively prejudices meaningful images of size itself – both Buddha and Hall are too up there to make any photographic sense - everything gets sqaushed.

Anyway, I’d arrived at the top of the steps to the Great Hall, surrounded by a throng of cameras, when I turned around and saw this space, inhabited by an acolyte and her shadow… And I'm not a people photographer. OK, it's voyeuristic, but I think you can see where I was heading.

But I had first visited Nara with a close friend back in 2003. Then we took pathways that first lead away from the Great Hall, haunted by eerily whistling deer, then slowly meandered back to meet the crowds, passing more humble shrines, some, seemingly so ancient, they were now just scrapes in the ground. We came across a shrine decked with votive papers - a man and two young boys approached, he bowed, then clapped his hands to wake whatever deity resided there. He bowed again, as did the boys, his lips moved silently, he bowed again as we had discovered an impeccable shrine on the other side of the path.

So I suppose the moral of the story is firstly, look the other way; and secondly, take the other path. This seems appropriately Buddhist...

A magical opportunity awaits you as you leave the Great Hall - you can sponsor a roof tile (constantly needed for renovation) with a personal message. Which I did...

Nara is easily accessible by train from Ōsaka and Kyōto. It is well signposted in English...